What do I say, and where do I even begin…
I got to view this film a few months back or so, and was completely floored. I work with the erdkinder (‘earth children’ – adolescents in Montessoriese) in the school, some of them have actually made ‘shorts‘ (films of circa 3 min duration) and so I thought, may be they would actually appreciate ‘The Fall,’ at least from the perspective of technical excellence, considering the fact that, otherwise they routinely get dished out (no, not in the school) only soapy, syruppy, sick and maudlin films of the likes of ‘Taare Zameen Par’ and ‘Wrong day Besan Tea.’
… And yes, I am glad to say that they were also dazzled by this labour of love of Tarsem (Singh Dhabdwar) and surprisingly (to me, that is) they understood a few nuances in the film too! This reinforces my long held conviction that, given half a chance and a bouquet of choices, children intuitively, instinctively and irresistibly are drawn towards excellence, be it music or film or book or ideas or life, whatever – hence this post.
The story line of ‘The Fall’ is simple, but is very intelligently & poetically doneup: A little girl Alexandria (Catinca Untaru) and a Hollywood stuntman Roy Walker (Lee Pace) are recovering together from their respective falls, in a hospital. Roy has been recently jilted by his lady love and feels that life is hopelessly dreary, as he is bedridden with no immediate scope for recovery and therefore it is going to be a longtime, if at all, before he can do any stunt again.
The little girl (read: magic) is befriended by Roy, as she is ‘required’ by him to get some Morphine pills so that he can commit suicide, thusly ending his agony. He starts telling her a story about his life couched as a few desparadoes grouping together, out to take a revenge on one Odious (‘Spanish Governor ‘) who had earlier, wronged them all, in one way or the other…
What follows is a stunningly magical storyline narrated by Roy, exquisitely and vividly visualized by Alexandria. Full of breathless landscapes – sand dunes, bald mountains, butterfly island, underwater shots of a swimming elephant, blue-blue-blue city (Jodhpur), reservoir with geometical explorations (much like MC Escher’s recursive themes), labyrinth (actually it looked like one of the observatories of yesteryears in India – Jantar Mantar) etc etc… There is no computer generated graphics gimmickry stupidity, whatsoever. Only real shots of real things.
When the storyline becomes bleak, Alexandria intervenes, gets into the story and starts steering the story towards a relatively cheerful direction/finale. And the magic lantern shines on… Lovely!
Tarsem captures the indefatigable spirit and endless hope of the child with his trademark stunning visuals & incredible costumes – and seamlessly weaves them together – it is pure magic. It is hard to believe that many of the visuals framed by him are popular Indian (and firangee) tourist destinations – as Tarsem has successfully distilled the magic out of locations, out of the boringly familiar terrains and distracting environments. Amazing.
Editing and sound mixing were of the finest kind too – especially the technique of fading voices and lingering dialogues when the story within the story recursively takes over from the main story. It very nicely introduces us to the dreamy world of the child (even as Roy tells the story) while, pointers suddenly become values and values, pointers – if I may be pardoned about using a little bit of a parallel in computing science.
I have never known any other film that has used the splendid allegretto of the 7th Symphony (of Beethoven) – that is in ABSOLUTE sync with the mood of the film. And as suspected by me, the music/rendering is by the inimitable and grand Bulgarian Symphony Orchestra; to be honest, in more ways than one, the collapse of the ‘Warsaw Pact’ or the iron curtain has been a great thing to happen. How else could one have been fortunate enough to listen to such perfectly rendered musical pieces?
The Fall (Opening Titles – background score: aforesaid allegretto): https://www.youtube.com/watch?v=QhARR-zmTCE
You know what? Life is actually worth living. :-)
There is quite a bit of humour, intelligent ones at that, in the film too… Darwin’s pet monkey is named Wallace (probably alluding to the Alfred R Wallace, the much forgotten co-discoverer of the theory of natural selection) and the Indian living in a wigwam (visualized by Alexandria as a palace in India) and having a squaw (visualized as an Indian girl) – the cute interplay of the culture of American Indians and Indian Indians…
I really, really wish that the fantastic Tarsem would make a film out of The Last Samurai of Helen Dewitt! Honest.
This incredible capability of transforming the real into surreal, is Tarsem’s magic and I guess The Last Samurai will be in very good hands…
I strongly recommend that all you folks view and savour ‘The Fall.’ Never mind the sensationalist Blimeyhog Billionaire and the asinine Shamedog Sillyonaire. (actually I haven’t seen the recent winner of n Oscar awards, but then…)
Yes. Like all great films, ‘The Fall’ too is not likely to hit the Indian theatres or multiplexus… But if you do want to view it at your homes, you know who to ask.
BTW, do we know that we have amidst our school parents, the director of an olde tamil documentary ‘Kutti Jappanil Kuzhandaigal’ (roughly translating to: Children in ‘little Japan’) – a poignant & activist documentary on child labour in Sivakasi, that probably was made more than two decades back?
JournalEntry# February 27, 2009